Justin Bergin paints from a private iconography. Greek myth, candles, feet, the wounds of the stigmata, and other Christian symbols return from painting to painting. Think of them as a personal alphabet, a set of signs the artist arranges and rearranges. The logic is there, even if you can't paraphrase it. A candle and a bare foot are old devotional images. The myth and the wound come from different traditions. Put together, they don't settle into one meaning. The sacred and the bodily share the same picture.